Woman’s Head (Fernande) 1909, Bronze To attend the Picasso Sculpture Exhibit at MoMA is to witness the secret workings of a relentless creative mind. Never schooled in sculpture, he was free to explore its potential, without fear of failure. Coupled with his sense of playfulness and rebellious outlook, he worked in the gap between painting Read more about Picasso, the painter who changed sculpture forever[…]
We have been through the Picasso sculpture show at MoMA twice. It did not get better. Seemed careless and sloppy in both thought and in execution. He did not stick a baby cake server on a pile of Playdough once, but 30 times over. Our artist friends enjoyed the “playfulness” or some such rot. They Read more about Picasso vs Sailor Jerry[…]
“What is this doing here?” asked my friend. It was Jasper John’s “Target With Plaster Casts” and it was located at the end of a long hallway bordered with Andy Warhol Cow wallpaper. We spent some time admiring it. But something was wrong here. The painting was terribly lit and seemed to be haphazardly thrown Read more about Elaine Sturtevant – Connoisseurship takes a beating[…]
Big colors bouncing around at the Matisse Cut Outs exhibit at MoMA. This exhibit focussed on the paper shapes pinned to the walls of the hotels and studios he lived in France. But what’s this? A mermaid and a parrot? Look at the solid blue shapes on either side of the canvas. Could it be Read more about Matisse and Brooklyn Joe[…]
Museum of Modern Art’s exhibition Gauguin: Metamorphoses, shows Gauguin’s rare prints and how he developed them into his more famous paintings. Displayed were variations of his prints and sculptures. Gauguin frequently worked with other materials not just paint such as woodcarving, ceramics, monotypes and many more. The show presented his wooden sculptures, which he created Read more about Metamorphoses[…]
“Content is a glimpse of something, an encounter like a flash. It’s very tiny – very tiny, content.” – Willem de Kooning We love going to MOMA. What we love best is visiting the lonely and neglected paintings. They seem to need company. Particularly, if one is a work of art that completely changed the Read more about The Epicenter of Un-Expressionism: N 40’45’ by W 73′ 58′[…]
As you know, MoMA has one of the greatest and well-known collections of modern art in the world. Its recent exhibits include Hopper and O’Keefe’s best pieces. So we were surprised to learn that one of the pieces on exhibit was currently sitting at Lift Trucks. No, we didn’t find a Picasso on Ebay, but Read more about Cars at MoMA[…]
We put Michael Mapes card right up there when the gift kiosk guy wasn’t looking. At the end of the elevators in MoMA. There, but for one brief shining moment with all the greats; De Kooning, Pollock and Picasso. And some lady who was perusing the rack, selected it. Right in front of us. I Read more about Vote ‘yer Wallet, Matey![…]
The Rivington school, despite it’s expensive sounding name (it reminds me of a boarding school parents spend a fortune on to straighten out their “troubled” child), is not a typical school, in fact it’s not even educational. Granted, most art schools aren’t typical (or educational), but throw out the notions of RISD or Pace and instead think cheap booze and NYC clubs. As the artist FA-Q aptly stated, it was “a bunch of nuckleheads (sic) and wannabees” where “society’s outcasts would show up” (at least this guy is honest). The Rivington school started as an offshoot of the latino social club “No Se No”. It was a bar that had an open performance, everything from visual art, to singing, to hanging up a work on the walls. I know, I know, most open performance things are a complete joke (let me give you a hint not to attend any comedy open-mike nite anywhere). However from this movement stemmed some very famous and talented people, including Kevin Wendell (aka F-AQ), Ray Kelly, Taylor Mead, Phoebe Legere, and countless others.
At the risk of being called a Philistine* or at best an ignorant art buffoon (again) herewith an opinion. The Gabriel Orozco show at MOMA, a glorious institution whose fine reputation has again been recently sullied by the idiotic show of Tim Burton’s doodles, has now fallen prey to the Emperor’s Clothes syndrome affecting all the contemporary showcases loosely called museums and overstuffed “important” Chelsea galleries. Any art student will roll his eyes and recite the John Cage mantra- ‘art is everywhere’ all you have to do is look for it.